Death in the Park – Home Less

parkhomeless

Last night a man lost his life because he was not in the safety of his own home. He is one of thousands forced into homelessness in our country on our city streets.

The homeless executive – part of Dublin City Council, spend in the region of €100 million euros every year on ‘homeless services’. Yet tonight, children and adults will be handed a sleeping bag and told to sleep in the parks. The emergency number for beds is turning people away saying there are no beds and there is great uncertainty. Meantime 600 dwellings belonging to Dublin City Council lie empty as well as hundreds of council houses and flats that are boarded up waiting to be demolished for ‘rejuvenation’ that may never take place.
These residences need to be opened up immediately and refurbished so as people can be afforded their very basic human rights. So what happens the €100 million? How much is spent on fat cat salaries? How many of these so called non government organisations that receive the grants actually spend it on the homeless and ending homelessness?? These charity organisations are simply carrying out Government remits and they employ hundreds of individuals with the money that needs to be spent directly on the homeless. The ‘economy of the poor’, the ‘economy of the homeless’ is solely for the benefit and upkeep of the many agencies that are now falling foul of their original intention and their christian duty. They are in effect ‘poverty pimps’ and an arm of Government and have simply agency captured a lucrative market for their own pseudo sentimentalized, spiritualized culture. The housing of people is not a charity and never can be, it is a fundamental human and civil right. Open up the boarded up houses in our country, cities and towns and give the people a home.

These images above are from a recent protest outside Dublin City Hall regarding the take over of the YMCA at Aungier Street by Depaul Ireland who want to empty the premises of all the current residents so that they can set up their clients in residence there in line with so called Government policy.  At present YMCA accommodates alcohol and drug free male and female individuals who in principal are in recovery programs and abstinence programs from alcohol and drugs.  YMCA’s accommodation units at Aungier Street/Peters Row is one of the safest and productive in the city.  It has the trust of the entire community, an important thing.  That trust is now about to be broken as Depaul Ireland and the YMCA are going to turn this establishment into what can only be described as an emergency wet hostel accommodation.  The stability of the residents that are there at present is now being seriously undermined by these moves and their well being is in jeopardy.  DePaul and YMCA are merely agents of the State at this point carrying out a Government remit having gotten their hands on a substantial amount of tax payers money from the Homeless executive.  I have attended a number of meetings on this issue with DePaul, the YMCA and the residents and have called on them not to proceed with this new regime and practice and to continue with the successful model that has been in operation for a number of years  at the YMCA.  They are breaking the trust of the local community and the residents of the YMCA in order to access funds and build on their own empire at the expense of all.  Please show your support for the residents of the YMCA by contacting the YMCA (paulmcdonald@ymca.ie) and Depaul Ireland (kerry.anthony@depaulireland.org) and Dublin City Council Homeless section or myself (mannix.flynn@dublincity.ie)

I intend in the near future to create a formidable challenge to DePaul and the YMCA  to rethink their strategy in the interest of all.

Disarmed Art. Tadeusz Kantor – Actor’s Condition

The decline of the 19th century bourgeois morality, which granted, and not without obstacles, the privilege of citizenship, only to the greatest talents, enabled the actor to achieve a normal social status.

The revolution of the 1920’s turned him into a worker for the avant-garde culture.  It was the time when constructivism had the world fascinated with its doctrine of art, defined as a dynamic factor in the organization of life and society.

In many countries, the growth of industrial and technical civilisation was followed by the loss of art’s avant-garde quality and its dynamism, and turned theatre more and more into an institution, while actor, consequently, into its officer.

The once-obtained rights got deformed when clashed with the society of consumption that built its life and ideas on an extreme form of pragmatism, a cult of effectiveness and automatism, each of whose is contrary to the disturbing intervention of art.

The assimilation with such a society ended up in an artistic dullness, indifference and conformism.  The degradation was additionally propelled by the development of mass-media: radio, film and television.

The final stage meets attitudes that are always close to one another: moral conformism, a total loss of interest in the formal development and an artistic sclerosis.

Paradoxically, actor’s ‘laicization’ and democratization’ which historically emancipated him, drove him to mediocrity.

The assimilation and recuperation of the artist and his craft by the society of consumption may serve, in the case of actor, as an exemplification of the phenomenon.

Actor-artist has been disarmed and tamed, deprived of his resistance, so important both for himself and his role in the society which has brought them to being obedient to laws and rules imposed by the society of production and consumption, and to the loss of independence that , placing him outside a community, enabled him to influence it.

The reform in theatre and in actor’s craft must influence the profundity of the metier.  In the long period of actor’s social isolation, their attitude and condition were strongly marked by features which had been formed in a natural and spontaneous process by his heart and spirit, and which had separated him from the rest of the healthy-minded society and which had brought into being new autonomous forms of stage acting.

And here comes an image of this character: Actor the naked image of man, exposed to the public, the face elastic as a gum, actor- a fair artist, a shameless exhibitionist who stimulates his tears and laughter, and the functions of all human organs, passions of the heart and of the mind, excesses of the stomach and penis, with a body exposed to all sorts of excitement, danger and surprise, a homunculus, a dummy of man’s anatomy and mind, denying dignity and prestige, exposed to lashes and made into a laughing-stock, bred solely by his imagination which provokes a permanent insatiability with anything that exists in reality, outside a fictitious world and a state of eternal nostalgia, making him into this perennial wandering.  The wandering Artist, Eternal Wanderer, homeless, futile in his search for a haven, stuck to his luggage, in which rest all his hopes, illusions, with their wealth and their fiction, enviously and eternally protected by him from intolerance and indifference.

http://www.cricoteka.pl/en/main.php?d=plastyka

Public Meeting Aungier Street Dublin

PUBLIC MEETING
Monday 20th May

7pm , The Carmelite Centre, Aungier Street

An opportunity to discuss local policing issues
Hosted by
Charlemont/Whitefriar Street Local Policing
Forum

For more information contact:
Carol Finlay: 086 8151507
e-mail: carol.finlay@dublincity.

State White Wash

IRISH STATE WHITE WASH

The design for the Government/Irish State memorial as recommended in the http://www.childabusecommission.com/rpt/pdfs/ Ryan Report – Commission to enquire into child abuse in Residential Schools is seeking planning permission.   This premature gesture, in the form of a memorial/monument is more of a crushing blow to truth, transparency and justice than any of the horrendous testimonies contained in the Ryan Report itself.  This pseudo attempt by the State/Government of the Republic of Ireland to address the issues of torture and inhumane treatment of children in its care is an outrage in itself and an insult to those who are continuing to struggle for justice and accountability for the many crimes committed against them in State sanctioned and religious run institutions on the Island of Ireland.

Recently, the First Minister and deputy First Minster of Northern Ireland extended the terms for the http://www.nidirect.gov.uk/historical-institutional-abuse inquiry into historical institutional abuse in Northern Ireland between 1922 and 1995.  This is a Statutory Inquiry.  Many such inquiries have yet to be established throughout the length and breath of Ireland in every parish to uncover the truth of what happened to generations of children at the hands of the most trusted.  The more difficult issues of responsibility, accountability and securing justice for the abused still appear to be a long way off.  Justice is still being denied to thousands of individuals who were brutalised in institutions in the Irish Republic and few of those who did the brutalising have had to face any consequences for their behaviour. While these core matters remain unresolved, erecting this memorial is premature, a folly built on sand.

Memorials are about the past and the issues of physical, emotional and sexual abuse in Irish institutions are not yet historical. Certainly not for the women forced to toil in the http://www.magdalenelaundries.com Magdalene Laundries, nor for the children of the “http://www.indymedia.ie/article/100060 Bethany homes, Mother and baby homes, the trafficked children or those abused in day-schools,or the most recent report into the child prison,http://www.irishtimes.com/newspaper/opinion/2012/1020/1224325505278.html St Patricks Institution Dublin, none of whom have yet had the wrongs done to them acknowledged, heard or redressed.  Until their stories are heard and honoured, erecting a ‘monument’ is, at the very least, insensitive.

Doubly so when it is sponsored by the same State which was a co-accused and a guilty party to their abuse. http://www.independent.ie/national-news/the-indemnity-deal-at-a-glance-1747692.html

 The time to memorialise an issue like this is only when all that can be put right has been put right.  That time is not yet here. 

This memorial is a whitewash and an avoidance of truth by the very people who were engaged in the joint venture of torture and inhumane treatment of generations of children, the Irish State.

view of walkway

The reports on child abuse highlight how the law did not serve or apply to all members of Irish society equally. Despite the severity of the crimes revealed in the Ferns, Ryan, Murphy and Cloyne reports which range from physical assault to rape, very few perpetrators have been convicted.  The neglect and abuse in these reports can be categorized as torture, and cruel, inhuman and degrading treatment under human rights law.  The children’s right to be free from slavery and forced labour were contravened.”

Amnesty International Ireland Report, October 2011

What can you do?

Write to Dublin City Council Planning Department and raise your objections to this obstacle to justice, truth and exclusion. The web reference on Dublin City Council  website 1196/12

Email your objections:Planning@dublincity.ie”Planning@dublincity.ie

view of walkway2walkway lightsAn inscription of the ‘apology’  of former Taoiseach, Bertie Ahern,  is proposed to dominate the tunnel.  This same person is responsible for the indemnity deal between the Irish State and Church. http://www.independent.ie/national-news/the-indemnity-deal-at-a-glance-1747692.html  (See also Bruce Arnold, ‘The Irish Gulag’ page 122  – The Secret Deal)

plans 2As you can see from the plans the tunnel is designed to come out at the head of a crucifix in the Garden of Remembrance.  A highly inappropriate symbol to be merged into any memorial to children who have been abused by the State and Church.White washView the plans of the ‘OPW’ memorial on our site at Essex Street, Temple Bar Dublin.