Here is the response from Dublin City Council in relation to alleged unlawful work taking place on the protected structure at 91 Camden Street Dublin.
As requested at Tuesday’s SPC I outline below details regarding the alleged unauthorised development at 91 Camden Street.
The Planning Department received a complaint on 9 September 2013 that work was taking place to the rear gable and roof of this building. Due to the nature of the complaint, an initial inspection was carried out as a matter of urgency but the Enforcement Officer was unable to access the site until 16 September. When ispected, there was no one on site and no works taking place.
On 16 September, the Enforcement officer confirmed ownership of the building (not the person alleged by complainant). The Enforcement Section issued a Warning Letter on 19 September 2013 allowing the owners 2 weeks to respond. The normal response period is 4 weeks but given the seriousness of the case it was determined that more urgent action was required.
The response period expires Thursday, 3 October 2013. A follow up inspection will immediately be carried out to determine what futher action is to be taken.
See also comments in Archiseek and images of the original roof structure http://www.archiseek.com/forum/viewtopic.php?f=15&t=6813&sid=ee9ee8da367b07fbd0b6578f030f8702&start=675#p117617
Monthly Archives: September 2013
Oral hearing – opposing memorial for victims of abuse
Today, I will attend an oral hearing at An Bord Pleanála to raise my objections to the granted planning for a National memorial to victims of abuse at the site of the Garden of Remembrance. This whole proposal is preposterous. Nobody has been called to account, nobody has faced any criminal charges, the full extent of the abuse and all its implications is still unknown. Many are not included in this memorial – like the Magdalene women, the Mother and baby homes, the banished babies, the Bethany home, or the tens of thousands and generations of children who were savagely abused and traumatized in State schools through out Ireland. The issue has now taken on a global significance and at the centre of those inquiries in Northern Ireland, Australia, America (North and South), Germany, Canada, Poland and the UK to name but a few, is the Irish Catholic church and Irish congregations of religious. The exact same modus operandi so evident in Ireland and so expertly executed by the Church and its agents is evident in all the investigations. These investigations are leading back to Ireland sometime in the future. What do we do then for the global, tens of thousands abused by Irish priests, religious brothers and nuns?
The hollow words of the former Taoiseach, Bertie Ahern, are to be inscribed upon this memorial walls. The same Taoiseach who indemnified those responsible for the abuses, the State and the Church. Now Minister Quinn, the Minister for Education, wants to press forward with this proposal. The very Department that he represents were the main instigator in processing tens of thousands of children into the hell holes of institutions that cut short their childhoods and stunted their lives to this day. Truth is what heals and lasts. Not memorials that are designed to close down, cut short and rob those that have experienced abuse of a chance of a hearing and a hope of justice. If any memorial should be struck it should be by the public by a public subscription after all of the issues have been unearthed and addressed. To place this memorial of shame in the Garden of Remembrance is an absolute insult to the men and women who struggled and fought for justice and Irish freedom for generations, many of them giving their lives to that cause never seeing the State or Freedom emerging. To associate the honorable dead at this site with this proposed memorial to those that were horrendously abused by the State and the Catholic Church would be gross in the extreme and a continuation of the vile abuses and disregard that was so evident in many of the States institutions.
Tomorrow, I would hope that those officers of An Bord Pleanála will reject this application and overturn Dublin City Councils decision to grant this memorial permission. It is too soon and will be an obstacle to truth as it will look as if this whole issue has been done and dusted, buried and a memorial stone stuck on its head, when in reality we have dealt with very little and have not established exactly what happened, why it happened and who was responsible. This issue for many is insult to injury and does not have the endorsement and support of the vast majority who suffered in the Institutions of the State. Please support this effort to stop this attempt to sabotage the emergence of truth. Indeed, the very idea that such a memorial to victims of abuse, perpetrated upon them by Church and State would be placed in such close proximity to Church and State symbols is in itself a traumatic. The cruciform walkway of the Garden of Remembrance and indeed the State symbols themselves are instruments of terror and fear to those who suffered horrendous trauma in their childhoods and carry that throughout their lives to this day. Any expression of monument should come from civil society rather than authority or State agencies that were so involved in all aspects of this shameless history.
Let the glorious dead who are completely innocent of the acts of the Irish State and Catholic church rest in peace without interference at this most sacred of memorial sites.
Farcry – Emptied Memories Event
Farcry Productions – One Off Series
A presentation on the workings of digital Theatre and contemporary dance practice from Taiwanese artist Chou, Tung-Yen
There will be a 20 minute film presentation of Emptied Memories Dance piece after which Chou, Tung-Yen will speak about the making of this work. Questions will be taken at the end of the presentation.
Thursday September 19th at 7.30pm
Adifferentkettleoffishaltogether, 18 Ormond Quay Upper, Dublin 7
Admission Free: Limited Space please book a seat through firstname.lastname@example.org
About Emptied Memories
Emptied Memories is the ongoing exploration into space and memory through theater and moving image that scenographer Chou, Tung-Yen has undertaken in recent years. In 2011-2012, under the sponsorship of Ministry of Culture, he invited the choreographer Chou, Shu-Yi to try to co-create an “empty space” by using “space” and “memory” as the core from which to start. The creation employs the technological integration of panoramic video, real-time image processing, sensors and wireless stage control system. The performer drives the external deformation of the material world, echoing the internal state, in order to present the organic flow of one’s mind landscape.
In October 2011, it was presented in its work-in-progress stage and one year later premiered in 2012 Digital Performing Arts Festival. Now the voyage of Emptied Memories continues.
“Precise images and body movements. An exploration into the deepest mind.”
──by Wang, Jun-Jieh (Chief Director of Center for Art and Technology, TNUA)
“An exclusive experience of making stream of consciousness visible”
──by Ping, Heng (Former Artistic Director of National Theater & Concert Hall)
About – Chou, Tung-Yen
CHOU, Tung-Yen holds a MA in Scenography with distinction from Central Saint Martins College of Art and Design in London and a BFA in Theatre Directing from TNUA. Currently a lecturer teaching in the School of Theatre, Taipei National University of the Arts, he is also the director of Very Mainstream Studio. CHOU works mainly in film and theatre arts. His film and video works have been nominated and participated in various international film festivals. Recently he has collaborated closely as well as diversely with many of Taiwan’s performing arts groups (including Performance Workshop, Godot Theatre Company, Tainaner Ensemble, Flying Group Theatre, Shakespeare’s Wild Sisters Group, Taiwan Drama Performance, Dark Eyes Performance Lab, Scarecrow Contemporary Dance Company, Horse DanceTheatre, National Symphony Orchestra and Taipei Chinese Orchestra) In addition, CHOU has also done excellent work in interdisciplinary creative projects incorporating technology with performing arts.