Things to see -Farcry Productions- Culture Night Dublin

If you are heading out into the heart of the city of Dublin tonight for Culture night do check out various sites by  Farcry Productions (www.farcryproductions.ie)

  •  Something to Live For

    Parliament Street/Cork St/Dame Street
  1. ThomasReadPoster.qxd

    Something to live for – window’s acknowledging the contribution made by individuals to the establishment of the Irish Republic. Originally installed 2006-2008

    somethingbynight

    Pidge Duggen, Ellen Walsh and other great citizens who made this country.

    There has been a special guest put up in one of the windows just for Culture night

    something-to-live-for

 

  • Close by the previous installation, you will find SOMEBODY’S CHILD, Essex Street, Temple Bar West.   This work lists the names of the children buried in a pit in Tuam, Bons Secours Mother and Baby home, Co Galway.

nora_somebody

somebodys-child-monday

 

 

 

  • THANK YOU – GO RAIBH MAITH AGAT – Georges Street, opposite The George

Proclamation translated into Arabic, Chinese, Gaeilge, French, Polish and Russian.  To find the German translation you will have to walk to The Oak Pub on Dame Street and look up above the door!

thank-you3

 

  • CHILDREN TO YOUR FLAG, NEVER IN DARKNESS – Video installation, Dame Street (Stand at the bottom of Georges Street and look up)

A video installation on Dame Street – Georges street of 13 women who contributed greatly to Irish culture, heritage and the establishment of the Irish Republic.

see http://www.1916onehundred.ie/about.html

 

  • Also on the front of the Mercantile Pub, Dame Street you will come across the banners of 7 Women and 7 Men

 

 

 

An tAthair Pádraig Ó Fiannachta -Oidhreacht

Tonight celebrate Culture Night and those who make it.

I was privileged to know, and have some of my work translated by, the magnificent Irish scholar, priest, poet, publisher and sage Pádraig O Fiannachta.  His cultural breath still breathes on this great land of ours and its influence gives life throughout the cultural world.

The text below is a translation from our 2006 work ‘Letting Go of That which you most Ardently Desire’ an artwork that dealt with the issue of armed struggle in Irish history and our recent decommissioning process.

An tAthair O Fiannachta passed away in July of this year into the mythical.

                                                  Ní fheicimíd a leithéid arís ann

gunbutts                                      

 

  The Grip That Binds Us

As human beings we are constantly trying to deal and come to terms with internalised trauma.  Being unable or unwilling to resolve certain issues, we cling even tighter to them and, though we yearn for peace and rest and progress, we can’t seem to let go of that which threatens to destroy us.

What is it like to walk away from conflict, to put your weapons beyond use?  To dwell upon all the years committed to the never ending cycle of fright, fight, flight.  Resentment, hatred, fury and denial all form part of the energy field that has dominated us human beings for thousands of years.
Along with the hardware, these emotions need to be deactivated if the grip that has bound us for generations to armed conflict is to be loosened finally and permanently.

Letting go is always a process of loss, a process of grieving. The dawning realisation that you cannot retake what you’ve reconciled to let go of.  And the final, slow acceptance that it is no longer of service to you anyway.
The grip that binds us is a reflective process which offers participants a chance to engage with the emotional dynamics  that underlie letting go and the emergence of something new.

© Gerard Mannix Flynn

Glas-snaidhm orainn

Bímid, mar dhaoine daonna, de shíor ar gor ar chréachtaí inmheánaithe, agus ag iarraidh bheith réidh leo. Toisc nach féidir linn, nó nach toil linn, fadhbanna áirithe a réiteach, is daingne fós ár ngreim orthu; cé go mbímid ag tnúth le síocháin, le suaimhneas agus le dul chun cinn, ní bhíonn ar ár gcumas, de réir dealraimh, scaradh leis an rud seo a bhíonn á bhagairt sinn a scrios.

Conas a mhothaíonn sé cúl a thabhairt le coimhlint, d’airm a chur ó mhaith?
Bheith ag cuimhneamh gan stad ar na blianta gan áireamh gafa ag sceon agus comhrac, tóir agus teitheamh, teitheamh agus tóir.
Tá fuath agus fíoch, fearg agus faltanas i réim i ngarraí treafa polaitíochta Éireann leis na cianta cairbreacha.

Ní hiad na hairm chogaidh amháin atá le cur ó mhaith agus le scrios ach freisin na mothúcháin úd go léir a nasc sinn, glúin ar ghlúin, le cogaíocht an ghunna – táid le scaoileadh go deo faoi dheireadh thiar thall.

Is geall le cailliúint, le caoineadh, i gcónaí rud a scaoileadh uait. Tuigeann tú de réir a chéile nach féidir leat greim a fháil go deo arís ar an rud ar ar réitigh tú scaradh leis. Glacann tú leis de réir a chéile nach aon tairbhe duit é cibé scéal é.

An glas-snaidhm a cheanglaíonn sinn, is próiséas meabhrach é a thugann caoi dóibh siúd a bhíonn páirteach ann dul i ngleic leis na fórsaí mothaithe is bonn don scaoileadh ar shiúl agus do shaolú na nua-bhreithe.

© Gerard Mannix Flynn
Aistriúcháin – Fr. Pádraig Ó Fiannachta

 

 

Women of 1916- Áine Ceannt

The images on this site are from our installation ‘Something to Live for’ situated over the Ivy on Parliament Street and Dame Street Dublin.  The work was first installed in 2006 and has been reinstated for 2016.

Aine Ceannt

Áine Ceannt (née Brennan) – Something to Live For

 

Áine Ceannt (née Brennan)  1880-1954

Frances O’Brennan is best known by her married name, Áine Ceannt, as the widow of Eamonn Ceannt, one of the leaders of the 1916 Rising.

Frances was born on 23 September 1880, four months after the death of her father, Frank O’Brennan. Elizabeth Butler, Fanny’s mother got a job as a nurse in a workhouse after her husband’s death.

At the turn of the century Fanny joined the Gaelic League and, like many of the other women who became interested in the Irish language, she adopted an Irish name, Áine.  It was in the Gaelic League that she met Eamonn Ceannt. Their first encounter was on an annual excursion to Galway in 1901.  The couple married on 7th June 1905.  Their son Rónán was born on 18th  June 1906. Eamonn worked in the Dublin Corporation.  By 1916, he was the assistant to the City Treasurer and commanded a substantial salary.  He was a committed nationalist; in 1913, he joined the Irish Volunteers as a Private and rose to the rank of Captain.  He was in charge of the South Dublin Union garrison in 1916.

Just before his execution on 8th May 1916, Eamonn Ceannt wrote a last letter to his wife: ‘My dearest wife Áine. Not wife but widow before these lines reach you….Dearest ‘silly little Fanny’ My poor little sweetheart of – how many – years ago…Ever my comforter, God comfort you now.  What can I say? I die a noble death, for Ireland’s freedom…You will be – you are, the wife of one of the Leaders of the Revolution.  Sweeter still you are my little child, my dearest pet, my sweetheart of the hawthorn hedges and Summer’s ever….’

Like many of the other widows, Áine moved into a public role following the Rising. She had been a member of Cumann na mBan from its inception and her sister Lily, was in the Marrowbone Lane garrison. Áine served as vice-president of Cumann na mBan from 1917-1925.  In 1918 she contested the elections for the Urban District Council of Rathmines and was vice-chairman for a period.  During the years 1920-21, she acted as a District Justice in the republican courts in the Dublin suburbs of Rathmines and Rathgar. During the War of Independance, she sheltered men on the run; one of the many who stayed with her was Robert Barton.  She also acted as an arbitrator for the Labour Department of Dáil Éireann in wage disputes throughout the country.

In 1920, she became the founding member of the Irish White Cross allocating funds for the benefit of orphans of wars in Ireland.  By 1941 the office had closed but Áine archived all the papers and wrote a history of the White Cross from 1920-1947. 

From 1939-1947 she was a member of the Red Cross.  Mine died in February 1954. Her funeral took place in her local parish in Dundrum, County Dublin and she was buried in Deansgrange cemetery.

From the installation ‘Something to Live for’ Parliament St/Dame St Dublin by Farcry Productions Ltd.

http://www.1916onehundred.ie

Mrs Kate O Callaghan 1885-1961

Everyday I will post a short biography and image from the ‘Something to Live for’ window installation at Parliament Street/Cork Hill/Dame Street Dublin.

Today is Kate O Callaghan who had a major influence on the cultural life and politics of Limerick City.

 

Kate Murphy was born near Macroom, Cork in 1885. She had 14 brothers and sisters, 11 of whom survived to adulthood. She obtained a degree from the Royal University followed by teacher training in Cambridge. She took up her sister Máire’s post as a teacher in Limerick at Mary Immaculate College.
In July 1914 she married Michael O’ Callaghan and passed her job on to another sister, Éilis. She joined the Gaelic League along with her sisters and was a founder member of the Cumann na mBan Limerick branch . Her jusband became Lord Mayor of Limerick in 1920 and was shot dead by masked men in front of her (believed to be Black and Tans), She was left a widow at 35 years of age. She began a campaign to countermand the authroities ‘version’ that he had been killed by and extreme element of the IRA.  Her pamphlet, The Limerick Curfew Murders,  was circulated in Ireland, England and America.
In 1921 Kate was elected to the Dáil. She opposed the Treaty and in 1922 called for increased women’s suffrage.  She lost her seat in 1923 but remained a very active member of the cultural life of the city and was a member of the Limerick Drama Society, Féile Luimnigh, Limerick Art Gallery and the Gaelic League.  When she died in 1961 members of the old IRA carried her coffin draped with the tri-colour.  She was buried at Mount St Lawrence cemetery next to her husband.

 

Link to The Limerick Curfew Murders http://museum.limerick.ie/index.php/Detail/Object/Show/object_id/11690