Historic Monument- 21 Aungier Street

Aungier Street 21 After

21 Aungier Street, Dublin.  

No 21 Aungier Street is designated under 4 different legal principles; National Monuments and Sites Act, Article 38 protecting all original materials and use, Section 19 Revenue Act amortising costs against tax and access to the public, 2000 planning and Development act on the list of the RPS (Record of Protected Structure)

  • 1992 the building was recognised by Dublin Civic Trust as a late 17th century building.  It was reported to the relevant department and was given status – protective status under the monument and sites act and registered as a National Monument.
  • 1995 The Bord Pleanala reversed the demolition order on it.  Because of its status, an appeal was made to the word and the Bord reversed the decision by DCC and the building was vested in the ownership of the Dublin Civic Trust.
  • 1995-97 Research to prove historic and material significance – the dating of timber frame walls which are very early.  The timber dating of the early staircase to 1680. This is the only full staircase of its kind going up 4 floors with 6 turns in it – it has early pear shaped balustrades the same as the ones in the Royal Hospital.

Number 21 Aungier Street is a substantial late 17th-century mansion one of the oldest recorded buildings in the city, a structure of outstanding architectural and historical significance, built during the 1660s on lands leased by Sir Francis Aungier to Robert Reading, Esq., an influential colleague of the Duke of Ormond, and was subsequently home to the Earls of Rosse, supporters of King James II at the Battle of the Boyne.

The building is a rare surviving example in Dublin of the transition in building technology from late medieval timber framing to brick and masonry construction.

It substantially retains its original plan and layout, consisting of four rooms, arranged around a centrally positioned staircase and two massive chimney stacks, flanked by smaller closet rooms.

The internal walls are timber-framed and are similar in character to those found in Numbers 9- 9A Aungier Street, a 17th-century mansion that has more recently come to light, a building  recognised for its rarity by Dublin City Council, conservation department.

The staircase in No.21 survives intact, it rises six flights through the building, featuring squared newels, a wide heavy handrail and handsome pear-shaped balusters characteristic of the late 17th century and is the only means of accessing the upper floors.

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Original staircase before renovation

 

Renovation of the building

 

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21 Aungier Street in 1991

 

In 1992, planning permission was granted for demolition of the building, which was subsequently overturned by An Bord Pleanála in acknowledgement of the mansion’s outstanding architectural significance. Through Dublin Civic Trust’s intervention, (then) Dublin Corporation arranged for a site swap with the developer who had originally purchased it from the Corporation, and subsequently vested the property in Dublin Civic Trust in 1995.

The Dublin Civic Trust undertook a major year-long programme of structural stabilisation, conservation and restoration as a pioneering built heritage demonstration project, which was grant aided by Dublin Corporation and the Department of Environment.

This included extensive steel and masonry bracing, reinstating the roof, repointing the late Georgian façade of c.1810, salvaging and refurbishing all original joinery elements, lime plaster wall and ceiling repairs, and the careful reinstatement of windows to exact historic profiles. A stand-out element of the works was the meticulous consolidation and repair of the rare original staircase and timber-framed walls.

Upon completion of the essential conservation works, Dublin Civic Trust sold the property under our Revolving Fund Scheme to a private owner who undertook to complete the building and operate it as a 15-bedroom heritage guesthouse with associated café at ground floor level. The grant of permission for this use (Ref: 2678/96), which operated until approximately the year 2000, was conditioned on reasonable public access being afforded to the first-floor level, in addition to full public access at ground floor level. Under the same grant, a planning condition required an agreement to be signed under Section 38 of the Local Government (Planning and Development) Act 1963 (amended) stipulating the preservation of the original staircase, original timber beams and medieval timber partitions, original free standing chimney stacks, and the restored front and rear walls. A further condition requested that “no further subdivisions of the important ground and first floors shall be permitted.”

  • On completion of the restoration in 1997 the Dublin Civic Trust – the building was launched by the then minister Liz Mc Manus – a section 38 agreement was drawn up protecting all original material identified and stating that this would not be removed or interfered with in the foreseeable future – this was signed by Dublin Corporation.
  • Section 19 under the Revenue act was obtained on the building which entitled a would-be purchaser to amortise the restoration costs against their tax liability. This was subsequently used by the new owner.

Since approximately the year 2000 Number 21 was pressed into unauthorised use as a long-term hostel providing residential accommodation for the Immigration Service, and latterly to the Department of Justice as a step-down facility for young offenders. This use was in breach of the authorised guesthouse use which afforded public access to the property and facilitated the appreciation and enjoyment of its unique heritage features.

Irish Times, March 2nd 2017: Olivia O Kelly

http://www.irishtimes.com/news/social-affairs/historic-monument-in-dublin-to-be-used-for-the-homeless-1.2994185

Irish Times, March 26th 2017: Olivia O Kelly

http://www.irishtimes.com/news/social-affairs/conversion-of-historic-dublin-building-to-homeless-hostel-stopped-1.3020461

Kamerino: Catalan shop comes to Dublin

KAMERINO POP-UP SHOP. Barcelona

Exclusive five-day sale of a unique collection of handmade pieces from the old workshop of a historic Barcelona shop specializing in party favours and theatrical curios.

You’ll find cardboard masks, hats and instruments, genuine Japanese lanterns, paper toys and a dazzling array of other weird and wonderful objects made between 1926 and 1948.

From Wednesday 1st March 2017 until Sunday 5th March 2017

Open: 10am-6pm daily

Adifferentkettleoffishaltogether, 18 Ormond Quay Upper, Dublin 7

The Catalan artist/performer/scenographer/collector and antique furniture restorer Xavier Palet Sabater will set up his exquisite shop at 18 Ormond Quay Dublin 7.  Now the new home of Dublin Civic Trust.  This will be the final event to take place in this historic building before the Trust begin renovations and the scaffolding goes up.

Please call in and visit over the week.  Xavier is selling rare Catalan stock from 1926-1948 and will be giving a demonstration and talk on Saturday 4th March at 3 pm in 18 Ormond.  (Adifferentkettleoffishaltogether)

This is a free event but limited seating – 20 persons

Please email farcryproductionsltd@gmail.com to book a place

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Kamerino shop, Barcelona

 

 

POP-UP SHOP KAMERINO. Barcelona

Exclusiva venta durante seis días de la inédita colección recuperada de un antiguo almacén de Barcelona dedicado a la fabricación artesanal de artículos de teatro y fiesta entre los años 1926 y 1948.

Podréis encontrar máscaras, sombreros e instrumentos de cartón, auténticos faroles japoneses, juguetes de papel y una infinidad de objetos curiosos…

Además, programaremos una charla teatralizada para dar a conocer el proyecto.

Estaremos en a different kettle of fish altogether, 18 Ormond Quay Upper, Dublín, del 28 de febrero al 5 de marzo de 2017.

Horario: 10 h a 18 h

Encontraréis más información en la página de Facebook Kamerino Collection in Dublin.

 

CAT_0419.JPG

Please join us for Xavier’s workshop on Saturday 4th March at 3pm in 18 Ormond Quay Upper (adifferentkettleoffishaltogether)

 

xavier.jpg  Xavier Palet Sabater was born in a small town in L’Empordà, Catalonia. In 2000 he embarked on an artistic career restoring antique furniture and artwork while managing his workshop and the Kamerino shop in Calonge. Since 2007 he has also worked in the field of performance art and theatre, designing, directing and performing his own work at a number of festivals. In 2016 he launched the Kamerino de l’Enginy project in Barcelona.

 

timTim James Morris grew up on the south coast of England to a family with Welsh roots, but has lived for the last 15 years in Barcelona, where he translates for art exhibitions, festivals and other cultural events.

(Tim will be translating Xavier’s talk on Saturday 4th March)

Further information on the Kamerino Collection in Dublin Facebook page.

Supported by: Dublin Civic Trust/Farcry Productions/The Temple Bar Company/DCCFarcryLogos.indd

Dublin Civic Trust Bookfair Saturday 10th December

Saturday 10th December 2016 from 11am until 5pm, Dublin Civic Trust  who now reside at 18 Ormond Quay Upper Dublin will hold a book sale of their  many publications covering interests from the streets of Dublin to best practice in maintaining your heritage building.

Perfect Christmas gifts, walking tours of Dublin, Conservation and restoration manuals, Trees of Trinity, and many, many more…….

Drop in and get to know the Civic Trust.  They Rock!

bookstore-front

 

 

 

 

An tAthair Pádraig Ó Fiannachta -Oidhreacht

Tonight celebrate Culture Night and those who make it.

I was privileged to know, and have some of my work translated by, the magnificent Irish scholar, priest, poet, publisher and sage Pádraig O Fiannachta.  His cultural breath still breathes on this great land of ours and its influence gives life throughout the cultural world.

The text below is a translation from our 2006 work ‘Letting Go of That which you most Ardently Desire’ an artwork that dealt with the issue of armed struggle in Irish history and our recent decommissioning process.

An tAthair O Fiannachta passed away in July of this year into the mythical.

                                                  Ní fheicimíd a leithéid arís ann

gunbutts                                      

 

  The Grip That Binds Us

As human beings we are constantly trying to deal and come to terms with internalised trauma.  Being unable or unwilling to resolve certain issues, we cling even tighter to them and, though we yearn for peace and rest and progress, we can’t seem to let go of that which threatens to destroy us.

What is it like to walk away from conflict, to put your weapons beyond use?  To dwell upon all the years committed to the never ending cycle of fright, fight, flight.  Resentment, hatred, fury and denial all form part of the energy field that has dominated us human beings for thousands of years.
Along with the hardware, these emotions need to be deactivated if the grip that has bound us for generations to armed conflict is to be loosened finally and permanently.

Letting go is always a process of loss, a process of grieving. The dawning realisation that you cannot retake what you’ve reconciled to let go of.  And the final, slow acceptance that it is no longer of service to you anyway.
The grip that binds us is a reflective process which offers participants a chance to engage with the emotional dynamics  that underlie letting go and the emergence of something new.

© Gerard Mannix Flynn

Glas-snaidhm orainn

Bímid, mar dhaoine daonna, de shíor ar gor ar chréachtaí inmheánaithe, agus ag iarraidh bheith réidh leo. Toisc nach féidir linn, nó nach toil linn, fadhbanna áirithe a réiteach, is daingne fós ár ngreim orthu; cé go mbímid ag tnúth le síocháin, le suaimhneas agus le dul chun cinn, ní bhíonn ar ár gcumas, de réir dealraimh, scaradh leis an rud seo a bhíonn á bhagairt sinn a scrios.

Conas a mhothaíonn sé cúl a thabhairt le coimhlint, d’airm a chur ó mhaith?
Bheith ag cuimhneamh gan stad ar na blianta gan áireamh gafa ag sceon agus comhrac, tóir agus teitheamh, teitheamh agus tóir.
Tá fuath agus fíoch, fearg agus faltanas i réim i ngarraí treafa polaitíochta Éireann leis na cianta cairbreacha.

Ní hiad na hairm chogaidh amháin atá le cur ó mhaith agus le scrios ach freisin na mothúcháin úd go léir a nasc sinn, glúin ar ghlúin, le cogaíocht an ghunna – táid le scaoileadh go deo faoi dheireadh thiar thall.

Is geall le cailliúint, le caoineadh, i gcónaí rud a scaoileadh uait. Tuigeann tú de réir a chéile nach féidir leat greim a fháil go deo arís ar an rud ar ar réitigh tú scaradh leis. Glacann tú leis de réir a chéile nach aon tairbhe duit é cibé scéal é.

An glas-snaidhm a cheanglaíonn sinn, is próiséas meabhrach é a thugann caoi dóibh siúd a bhíonn páirteach ann dul i ngleic leis na fórsaí mothaithe is bonn don scaoileadh ar shiúl agus do shaolú na nua-bhreithe.

© Gerard Mannix Flynn
Aistriúcháin – Fr. Pádraig Ó Fiannachta

 

 

Protect me, I am the Donnybrook laundry

 

laundry 10

Side laundry room, Donnybrook

 

Structure as witness

Deep in the heartland of Donnybrook, hidden in a crescent, surrounded by apartments, houses and leafy trees there sits, intact, a building which embodied part of our cruel social history.  Known locally as the laundry or Donnybrook laundry, but more widely known in sub-cultures and State reports as the Magdalene laundry of the Sisters of Charity.

 

Donnybrook2

Site for sale.  Our only completely intact Magdalene Laundry.

It is for sale now as in investment property at Donnybrook crescent. No mention in the brochure of its former use and its past.  No mention of the many women who toiled there, scrubbing shirts, washing socks, endless ironing, endless starching, endless washing; no let up, just let down.  No mention of the clients that came from the affluent families in the surrounding areas, nor that Áras an Úachtaráin was a client too.  The basket that carried the laundry – pressed, starched, immaculate spotless – now lies discarded with a pile of others, rotting and abandoned.

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Áras an Uachtaráin laundry box, Donnybrook Laundry

What would the nuns think of such disrespect, of such irreverance for such an important basket.  Back in the day these baskets were sacred. Revenue.  Handle with care.  These baskets, these boxes for laundry were very important. The people who worked, the women, the young girls, were never as important as these baskets.

Memory is something that fights an eternal battle with the passage of time and forgetfulness.  Time is a great healer for those who can heal and those who are offered healing.  There is no healing here. Time stands still like a festering wound in a well-to-do suburb as somebody attempts to erase a grave and mortal wrong. The McAleese report, the Justice for the Magdalenes, the hundreds of women still alive and their families should know of this place.  Should be present here to witness what can only be witnessed by them.  So that they can understand what’s lost, what cannot be given.  What was taken from them for generations.

.

staircase

Granite staircase leading from laundry room to upstairs dormitory

The world and its mother should be brought through these doors to see for themselves, to feel for themselves what it was like, that this actually happened.  That this place exists.  All around it the religious lands are being sold for development.  Somebody somewhere pocketed the money for profit.  The laundry is and its history is othered , cut off by walls, sliced away from the well-manicured, well -kept, well-preserved and well-managed convent that remains on the site in the heart of Donnybrook, respected, revered.

This is private property  now and people use the local dry cleaners or their Zanussi washing machine or a launderette in town.  The sound of hand scrubbed collars if you listen you can still hear it. The vast drums of the washing machines , the slushing of the water, the mangle of the manglers, the rinsing of the dirty laundry.  Nobody in Donnybrook wore dirty clothes in those days, they all turned up spic and span spotless, scrubbed by ‘sinners’.

The chimney stack of the laundry is a defiant hand of a female inmate.  Screaming out ‘we were here’, ‘we were treated badly’, ‘you wronged us’, ‘you took all from us’.  The tall mast of RTE broadcasting strange half-truths to the Nation doesn’t hear this.  The world passes by here unbeknownst. The presence of presence is something all of us should never miss.  Our bones give us a sense of place, a sense of now.  Like Caesar, like Brutus, like Marc Antony the good is in the bone, the memory is in the marrow, living.

The Magdalene laundry is still intact and this State and its people need to ensure it stays intact and all the paraphernalia there within, the ledgers, the industrial machines, the woven baskets, the statues, the cupboards, the stairways, the furniture, the windows the atmosphere remain intact.  This place should not be turned into an artificial artefact.  This is the real thing. If ever there was to be a monument, a memorial, a gesture, an acknowledgment – this is it.  This is a place of anger and atonement.  A place of rage and fury.  A place of loss and maybe a place to be found.

suitcases

Baskets and suitcases once precious, now discarded

Thousands upon thousands of women and young girls suffered in the Magdalene Laundry system.  Thousands of children suffered in the Industrial school system, they were by and large the children of the poor.  The children that this State regarded as surplus to need and that the Catholic Church and the religious congregations enslaved, exploited and abused as their sexual playthings.

The uniqueness of this site and this location is that its not separated from the surrounding community in their fine Victorian redbrick houses.  Not separated entirely from their history.  The Sisters of Charity have an obligation to preserve this building as a testament to their own past and as some sort of atonement to the many women who feel gravely wronged.  It is also important to preserve it as an educational centre to inform future generations of just what way we treated those who were not strong.

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Upstairs dormitory, Magdalene laundry, Donnybrook

Laundry statues

Discarded statues, Donnybrook Magdalene laundry

All across the country from the Good Shepherds in Limerick to the wood turning college in Letterfrack, Connemara they are trying to erase this landscape, this memory by turning these sites into Art Colleges, hostels, homeless accommodation etc None of them have yet to be made or let be what they are – sites of anguish, sites of suffering, which form a vital part of our social, political and religious history.

With all we know about what happened to individuals in this country, with all we know about this State and the Irish Catholic Church and its congregations, with the continuous ongoing injustice to the Magdalene women and the Mother and Baby home (women and children) it would be an absolute disgrace and a further insult and injury if this site was not preserved, exactly as it is.  In many ways, this site in my view, is as important as any of the battle sites of 1916 that are getting so much attention.  Indeed, the men and women of 1916 laid down their lives for the women of the Magdalene laundries and the children of the institutions.

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Interior laundry room, Donnybrook

People of Donnybrook, people of Dublin lets do the right thing here and own our past.  All of it.  Let’s not try smooth it out with a bit of cash, a bit of compensation or an inappropriate architectural monument. We have the real thing and all its uncomfortability for us all. It is high time we stopped running from it. Stand still and face it.

Sinks

Hand wash garment sinks

These institutions and their memories are among us, were always among us, but we have chosen to deny them, to make them invisible, to make them secret to shove them into a past, into a history.  But they are not done with us yet. Time to embrace our own unpalatable truth.

Kate O’Connell TD, Jim O Callaghan TD, Eoghan Murphy TD, Eamon Ryan TD make this your first task.

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Sisters of Charity, Donnybrook.  Founder, Mary Aikenhead.  Purveyor’s of Magdalene Laundry services.

 

Please sign the petition and pass it on Protect Donnybrook Magdalene Laundry Petition